Am I There Yet?

In the novel Writers & Lovers by Lily King, when a character talks about how their writing is going, they speak in terms of how many pages they’ve written. In one scene, a novelist describes her ex-boyfriend, also a writer, begging for a second chance. The ex hasn’t even started writing his book, but the dumped novelist has written two hundred and sixty pages since he left. Their respective page count is how we know she will never take him back.

In another scene, our main character, Casey, asks another writer, George, about the story he’s working on.

“’How long have you been working on it?’

‘Three years.’

‘Three years?’ I don’t mean for it to come out like that. ‘It must be more of a novella by now.’

‘It’s eleven and a half pages.’”

When George tries to ask her out, she thinks: “I can’t go out with a guy who’s written eleven and a half pages in three years. That kind of thing is contagious.”

Pages are one thing, though, and words are another. I prefer word count. A page could be sloppily handwritten in a pocket notebook or in a 10 pt font single-spaced with the tiniest possible margins. A page could mean anything! Word count is the only measure by which I can meaningfully chart my progress.

At the beginning of the month, I joined a group of writers led by Nina Semczuk for an April NaNoWriMo in order to get back to work on the fourth or fifth draft of the novel I’ve been working on. I did NaNoWriMo back in November but hadn’t worked much on the novel since. As I found then, the external accountability of sharing my word count is obviously the special sauce I need. This latest draft is going much better than I expected.

I usually track my word count in my own spreadsheet, but for this round I’m only using the spreadsheet shared with the group. I keep a sticky note on my desktop with the total word count I have to reach and how much I’ve done so far today. Whenever I feel the urge to quit a writing session early, I update the day’s count. Seeing the number helps me push onward. I’m like one of Pavlov’s dogs, salivating at every word count update, hungry for that feeling of accomplishment in reaching that daily goal.

My goal for the month is 55,000 words. As of today I have 38,511 words. In Google Docs, using the font Spectral Normal at 12 pt with 1.5 line spacing, 6 pt before and after every paragraph, indenting the first line of each paragraph, without page breaks between chapters, with 1 inch margins, that’s 82 pages.

(I used to just type into Google Docs without changing a thing, but I recently decided to switch up the formatting from draft to draft as a visual reminder to create something new and better instead of just rehashing what came before. Each draft looks a little different from the last one, even aside from all the different words in it.)

I feel validated when I read about writers like Fran Lebowitz who also fixate on how much one writes in a day, not discriminating between page and word count:

“I’m not interested in the thoughts or ideas of these people, I only want to know how many pages a day they wrote. I don’t know many writers. … But as soon as I meet any, as soon as I can figure out that it’s not too intimate a question to ask them, which is about six seconds after I meet them, I say, How many words do you write a day?”

Even better is recognizing the importance of word count in someone else’s writing process, demonstrated in this story Lebowitz tells about a man at Sotheby’s showing her an original Mark Twain manuscript:

“He showed it to me. A short story. He was telling me about the manuscript and where they found it and everything.

He said, I’m pretty knowledgeable about Twain but there’s one thing we don’t understand. We’ve called in a Twain scholar.

I said, What is that?

He said, See these little numbers? There are these little numbers every so often. We just don’t know what those are.

I said, I do. I happen not to be a Twain scholar but I happen to be a scholar of little numbers written all over the place. He was counting the words.

The Sotheby’s man said, What are you talking about? That’s ridiculous!

I said, I bet you anything. Count. I don’t want to touch it, smudge up this manuscript. You know, like the sign says, you break it, it’s yours.

He counted the words and saw I was right. He said, Twain must’ve been paid by the word.

I said, It may have nothing to do with being paid by the word. Twain might have told himself he had to write this many words each day and he would wonder, Am I there yet? Like a little kid in the back of a car — are we there yet?”

Like a little kid in the back of a car, like one of Pavlov’s dogs — perhaps there is something instinctive and primitive about making word count the thing that gets you through the writing day. The work itself can be rewarding too, but only when you’re deep in it, not when you surface and wonder if it’s time for dinner, if it’s time to get up and pour yourself a drink. That’s the moment when you check your word count and figure out how much more you have to do. You catch that refreshing little breath, and then you dive back in.

Another Draft, Courtesy of National Novel Writing Month

At the end of October, inspired by some fellow writers, I decided to use NaNoWriMo — National Novel Writing Month: a challenge wherein writers the world over attempt to complete a 50,000 word novel in 30 days — to rewrite the novel I’ve been working on for a while now. I’d made very little progress in months, so the idea was that NaNo would get me back into it and, just as importantly, get me back to writing every day.

And it worked, because now I have a new draft. I ended up writing an average of 1800 words a day, anywhere between 300 and 800 words in the morning and then another 1000 to 1400 words in the evening. On my best day, I wrote just under 2200 words.

A challenge like this is really useful to get quickly back into the habit of writing. The momentum of something new and yet familiar (since I already knew something about my story and characters) helped get me over that initial hump of getting started, and then the rest was simply stubbornness (and a constant awareness of my word count) to make sure I got my words in for the day.

The daily word count goal was exactly the kind of motivation I needed. When I used to write every day in a single morning session, I could maybe write 1000 words, but usually less, so I didn’t think it was going to be easy. (Unlike lots of people, though, most of my non-working time is my own, so I have it much easier than most.) But I found that most days it didn’t take much to get there — mostly just sitting down with my laptop, opening the document, and continuing where I left off, no matter how unequal I felt to getting down what was supposed to happen next. Near the end of the month, there were a few days where I had the fleeting thought about not bothering to get to 1667 that day because I was tired and just wanted to go to bed (at, you know, 8pm) and was ahead of my overall goal anyway, but then I would look at the little graph of my daily progress on the NaNo Stats page and power through.

I wrote this entirely as a fresh draft and only went back to my old drafts and notes to remind myself of the names of minor characters. I kept a small list of scenes at the end of the document that outlined where I still had to go. It was helpful to see where I was heading next and steer myself in that direction. The story went to a few unexpected places, but I think what this draft did more than anything else was narrow the timeline (from a whole summer down to one week) as well as the setting and story enough to spend more time with the (many!) characters themselves and figure out what was going on with them.

One of the best things I did with this draft was not write about anything from the perspective of the character who appears at the centre of the story. Previously he’d gotten quite a bit of his own page time, but I could never settle on how to portray him. For this round, I decided I wasn’t going to get into his head at all. I like that it forced me to figure out how to show who he is from the perspective of other characters. I didn’t get it right, but I liked the path it started me down, narrowing my focus a bit and letting me spend more time with other characters.

The next stage is a bit of a black hole, of course, because I’m terrible at revising. So far I plan to write out the outline of what I have, compare it to the outlines from my last couple of drafts, and try to create a bit more structure on which to hang the material I have spread out over some 150,000 words. There are elements I can bring together, and there’s a lot to throw away. And then, maybe, in bits and pieces, I’ll get some other eyeballs on it? I’m thinking a lot about why I’m still reluctant to let other people read it and trying to put into words what I want (and don’t want) from early readers. It’s scary but it’s good.

Some additional reading about NaNoWriMo to get thinking about next year: 20 years of NaNoWriMo, two vital reminders for writing a novel, why word count matters, and the best writing advice for NaNoWriMo.